Tuesday, January 24, 2006

Aristotle on voice (from Book II of De Anima).

Translation makes all the difference. I'm pasting Smith's translation below -- it's straightforward and easy to understand. Too easy, I think. Lawson-Tancred's translation is more difficult, leaving more ambiguity and complexity for the reader to unpack and struggle with. I was attracted to the Lawson-Tancred translation (which I am currently reading) because of the poetry with which the soul becomes entangled in voice. Then I read the Smith version while looking for a site where I could copy and paste the section here in the blog. Much of the poetry is lost in this no nonsense account of Aristotle. But alas, I don't have time to type in the version I've been reading. "Soul" of course is itself an approximation of what Aristotle is talking about. But I won't pretend I'm capable of telling you in this small space (maybe not even in a larger one) what is at stake for Aristotle. For that you can read any number of accounts of his philosophy, or go ahead and read the whole book. You can read the entirety of Smith's translation here.

Voice is a kind of sound characteristic of what has soul in it; nothing that is without soul utters voice, it being only by a metaphor that we speak of the voice of the flute or the lyre or generally of what (being without soul) possesses the power of producing a succession of notes which differ in length and pitch and timbre. The metaphor is based on the fact that all these differences are found also in voice. Many animals are voiceless, e.g. all non-sanuineous animals and among sanguineous animals fish. This is just what we should expect, since voice is a certain movement of air. The fish, like those in the Achelous, which are said to have voice, really make the sounds with their gills or some similar organ. Voice is the sound made by an animal, and that with a special organ. As we saw, everything that makes a sound does so by the impact of something (a) against something else, (b) across a space, (c) filled with air; hence it is only to be expected that no animals utter voice except those which take in air. Once air is inbreathed, Nature uses it for two different purposes, as the tongue is used both for tasting and for articulating; in that case of the two functions tasting is necessary for the animal's existence (hence it is found more widely distributed), while articulate speech is a luxury subserving its possessor's well-being; similarly in the former case Nature employs the breath both as an indispensable means to the regulation of the inner temperature of the living body and also as the matter of articulate voice, in the interests of its possessor's well-being. Why its former use is indispensable must be discussed elsewhere.

The organ of respiration is the windpipe, and the organ to which this is related as means to end is the lungs. The latter is the part of the body by which the temperature of land animals is raised above that of all others. But what primarily requires the air drawn in by respiration is not only this but the region surrounding the heart. That is why when animals breathe the air must penetrate inwards.

Voice then is the impact of the inbreathed air against the 'windpipe', and the agent that produces the impact is the soul resident in these parts of the body. Not every sound, as we said, made by an animal is voice (even with the tongue we may merely make a sound which is not voice, or without the tongue as in coughing); what produces the impact must have soul in it and must be accompanied by an act of imagination, for voice is a sound with a meaning, and is not merely the result of any impact of the breath as in coughing; in voice the breath in the windpipe is used as an instrument to knock with against the walls of the windpipe. This is confirmed by our inability to speak when we are breathing either out or in-we can only do so by holding our breath; we make the movements with the breath so checked. It is clear also why fish are voiceless; they have no windpipe. And they have no windpipe because they do not breathe or take in air. Why they do not is a question belonging to another inquiry.

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Name: Matthew Shindell
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Matthew Shindell used to live and write in Phoenix, Arizona. He now lives and writes in La Jolla, California.

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